Mechanical Nativity Scene

The mechanical nativity scene has long been one of our city's attractions and boasts a varied history. After a mechanical nativity scene had previously existed in the town, master photographer Hans Strauß decided in 1926 to commission a new one. Over the course of two years, artists from Oberammergau crafted more than 130 wood-carved figures—some of which were articulated—and integrated them into a historically authentic depiction of the Holy Land as it appeared at the time of Jesus' birth. The new mechanical nativity scene opened on April 28, 1928, and immediately attracted great interest. Despite being relocated several times, the "Mechanical Nativity Scene" operated almost continuously and remained open to visitors until 2012. Since October 2022, it has once again been accessible at its current location, to the delight of many visitors.

With an exhibition area of ​​approximately 25 square meters, the "Altötting Mechanical Nativity Scene" is considered the largest—and artistically most significant—nativity scene of its kind in Germany. A look behind the scenes is equally impressive: a single electric motor powers nearly 50 mechanically moving figures via an intricate system of gears, chains, drive shafts, turntables, and belts.

The display features scenes of daily life in the historic Holy Land, such as a fisherman on the Sea of ​​Galilee—accompanied by various local animals and two fishing boats—a rock-face forge where a donkey is being shod, and a Roman fort guarded by two sentries. Also depicted are beggars, merchants, artisans, slaves, caravans, and shepherds—alongside, of course, the Three Wise Men and the nativity scene itself, designed as a ruined temple where the Holy Family has found refuge.

The "Mechanische Krippe Altötting e.V." association was founded in 2019 with the aim of making this gem accessible to the public once again. Zuccalliplatz—located opposite the Panorama and the Kultur + Kongress Forum Altötting—was selected as the new site. The necessary relocation provided an opportunity to subject the artwork to a thorough restoration, ensuring that this attraction can once again be displayed in all its former glory.